![]() Photoshop CS6 offers the option to migrate old presets over on launch I have to say that I love it! Blur Gallery (Tilt-Shift, Iris and Field) Redesigned toolsĪ new set of Blur filters, called the Blur Gallery hold a little more than meets the eye. I know, I have several computers and it’s difficult to move them all over manually, and I always lose a few when I upgrade to a new version of Photoshop. This is great for people with lots of custom brushes, shapes, actions etc. Definitely worth mentioning is Preferences can now be imported and exported. Actually it’s just the clutter that’s gone, all the missing filters are tucked away under the Filter Gallery. When you go into the filters menu, you might think a lot of filters are gone. If you are used to looking at the Masks Panel, the Adjustment controls for Adjustment layers and the 3D options, they have all been consolidated into a Properties panel. Another thing, you might not notice at first is that the look and feel of the panels have been tightened up and now more consistent naming is used throughout. You can also press the Shift+F1 orF2 keys to cycle through the new colors. I suggest giving the dark ones a go though, you might just love them. Yes, the old familiar light interface is one of the options. There are four different flavors of it and you can change them all in the preferences menu. It’s a bit of a culture shock at first, but once you get used to it, it’s really great. The first thing you will notice when you first open Photoshop CS6, is the new look. Here are all the new features added in Photoshop CS6.Īll the videos related to this page can be viewed here User Interface. However, if you want to buy CS6, you have to call into Adobe sales and order it. This isn’t widely known, because you wont find it on the Adobe site. If you would rather buy Photoshop, then CS6 available. You can subscribe to the Creative Cloud and get the latest Photoshop CC for a monthly fee ( See all the new features added in CC here). are turned on, click those categories so the settings show and take screenshots of them too.At this time there are 2 options for Photoshop. Since you now are able to post images (via links), could you please take a screenshot of your Brush panel showing the exact brush you're using and all the settings? If any of the various Dynamics, etc. you're using must not be depositing smooth swaths of color into your document.Įxactly what brush and settings are you using? These things, if accurate, say the problems you two are experiencing are fundamentally different from one another.Ĭaroline, I assume you created that blue to pink image initially as a 16 bits/channel document, then painted colors on it. ![]() R.S.Khan, you've said the problem you're seeing is NOT in your document, just on your display.I DO see posterization in the 16 bits/channel PNG file you posted, Caroline, and I can verify that the data is not a smooth blending of color.I am becoming convinced we have two different problems here. I will tell you if it has problems, or if the display of it just looks posterized to you because of your display. Please save a small image that you've painted in 16 bits/channel, and post it so I can download it. Color management inaccuracies can cause multiple-level jumps that make gradients look more broken up without actually being a problem in the image. If you can barely see the transitions between adjacent shades of gray, and they seem to be evenly spaced without some of the transitions jumping in brightness by several levels, then you have a good monitor and are getting the full benefit of your 24 bits/channel display. ![]() This is not yet seamless technology and it comes with downsides (such as not being able to run Aero on the desktop while using it)ĭoes this gradient, when displayed at 100% original size, look smooth and clean to you? How about when zoomed in? Those who really want to see things ultra-smoothly opt for super high-end hardware (e.g., workstation class video cards that cost $1000) that can support 30 bit color (2 more bits per pixel, billions of total colors, and 1024 shades of gray). We can perceive more than 256 shades of gray! Given that grayscale defines the red, green, and blue luminance values to be the same, you have 256 shades of gray available. Once you're getting clean and smooth information into your images, you may still see posterization on the monitor because for most systems the signal is being reduced to 24 bit color (8 bits per channel, 16 million colors). I've been ignoring what I expect to see, given the limitations of display technology, and trying to focus on the excessive posterization you have been reporting. I do see slight posterization in the images Caroline posted most recently above.
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